But still… we all know what happens when you set a compressor to instant attack or release. Then it multiplies the audio path by the difference between them with a lot of program dependencies and smoothing to the filters. One with the attack knob and instant release and then the other with instant attack and the release knob. In a transient designer there are two in a row. in a compressor, attack and release are just one crazy complex low pass filter to slow down the rate of change. Unlike a compressor, there’s no threshold or ratio controls but just smoothing filter, ie attack and release. Then the sidechain is used to generate a dc control voltage for the voltage controlled amplifier to multiply the audio signal by. Transient shapers like a compressor split the audio into audio path (up/Down) and rectified sidechain (all up). The transmod works a little differently than a traditional spl transient designer, which kills high frequency detail because it’s like a compressor with pretty much. It’s cleaner tonally and can have way more drastic effects for problem solving.
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